Removing Moire Effectively - Page 9

For the purposes of this demo, I’ve shown the copy of the original file on the left and the original file (now containing only luminance moiré) on the right. If you have a look at the “a” and “b” channels of the copy, you should see very obvious moiré. Here are those two channels:

Examine both channels carefully. Which one contains a better representation of the moiré that you are seeing in the right hand window? (The right hand window contains the file with only luminance moiré.) In this particular example, the better choice is the “b” channel.

The “a” channel contains magenta/green color information. Since the Bayer pattern on our CCD samples twice as many green pixels as blue or red, in my experience thus far, the “b” channel often contains superior moiré information since the channel represents the yellow/blue information. I wouldn’t doubt that different colored subjects will require a close analysis to determine the best channel.

home | page 2 | page 3 | page 4 | page 5 | page 6 | page 7 | page 8 | page 9 | page 10 | page 11 | page 12 | page 13

techniques home | dbphoto home